{"id":827,"date":"2020-09-09T14:54:39","date_gmt":"2020-09-09T14:54:39","guid":{"rendered":"http:\/\/wvandco.com\/fo2021\/?p=827"},"modified":"2021-11-28T15:23:33","modified_gmt":"2021-11-28T15:23:33","slug":"celebrating-ontario-at-tiff20","status":"publish","type":"post","link":"https:\/\/wvandco.com\/fo2021\/celebrating-ontario-at-tiff20\/","title":{"rendered":"Celebrating Ontario at #TIFF20!"},"content":{"rendered":"<p><strong>The <a href=\"http:\/\/tiff.net\">Toronto International Film Festival<\/a> returns tomorrow (September 10th) and we&#8217;re once again celebrating Ontario! We are thrilled to see a number of produced-in-Ontario features screening at this year&#8217;s festival &#8211; read on for details and showtime and ticket links for the hotly-anticipated <em>Akilla&#8217;s Escape<\/em>, <em>Falling<\/em> and <em>Trickster<\/em>. Join us on <a href=\"https:\/\/www.twitter.com\/Film_Ontario\">Twitter<\/a> this year as we celebrate #TheStrengthOfOurScreens in Ontario at #TIFF20!<\/strong><\/p>\n<p>&nbsp;<\/p>\n<h2><a href=\"https:\/\/www.tiff.net\/events\/akillas-escape\"><strong><img data-attachment-id=\"829\" data-permalink=\"https:\/\/wvandco.com\/fo2021\/celebrating-ontario-at-tiff20\/akillasescape_02\/\" data-orig-file=\"https:\/\/i0.wp.com\/wvandco.com\/fo2021\/wp-content\/uploads\/2020\/09\/akillasescape_02.jpg?fit=1200%2C600&amp;ssl=1\" data-orig-size=\"1200,600\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;1996-98 AccuSoft Inc., All right&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"akillasescape_02\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/wvandco.com\/fo2021\/wp-content\/uploads\/2020\/09\/akillasescape_02.jpg?fit=300%2C150&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/wvandco.com\/fo2021\/wp-content\/uploads\/2020\/09\/akillasescape_02.jpg?fit=1024%2C512&amp;ssl=1\" class=\"lazyload alignright wp-image-829 size-medium\" src=\"https:\/\/i0.wp.com\/wvandco.com\/fo2021\/wp-content\/uploads\/2020\/09\/akillasescape_02.jpg?resize=300%2C150\" data-orig-src=\"https:\/\/i0.wp.com\/wvandco.com\/fo2021\/wp-content\/uploads\/2020\/09\/akillasescape_02.jpg?resize=300%2C150\" alt=\"\" width=\"300\" height=\"150\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27300%27%20height%3D%27150%27%20viewBox%3D%270%200%20300%20150%27%3E%3Crect%20width%3D%27300%27%20height%3D%27150%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/i0.wp.com\/wvandco.com\/fo2021\/wp-content\/uploads\/2020\/09\/akillasescape_02.jpg?resize=300%2C150&amp;ssl=1 300w, https:\/\/i0.wp.com\/wvandco.com\/fo2021\/wp-content\/uploads\/2020\/09\/akillasescape_02.jpg?resize=768%2C384&amp;ssl=1 768w, https:\/\/i0.wp.com\/wvandco.com\/fo2021\/wp-content\/uploads\/2020\/09\/akillasescape_02.jpg?resize=1024%2C512&amp;ssl=1 1024w, https:\/\/i0.wp.com\/wvandco.com\/fo2021\/wp-content\/uploads\/2020\/09\/akillasescape_02.jpg?fit=1200%2C600&amp;ssl=1 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(max-width: 300px) 100vw, 300px\" data-recalc-dims=\"1\" \/><\/strong><\/a><\/h2>\n<h2><a href=\"https:\/\/www.tiff.net\/events\/akillas-escape\"><strong>Akilla\u2019s Escape<\/strong><\/a><\/h2>\n<p>When a routine deal goes bad, a drug trader tries to set things right while unexpected circumstances force him to confront his traumatic origins.<\/p>\n<p>During what is supposed to be a simple, routine handoff, 40-year-old drug trader Akilla Brown is suddenly caught in the middle of a violent robbery. Narrowly making it out alive, he captures one of the thieves, a teenaged Jamaican boy named Sheppard. Under the pressure of the criminals who hired him, Akilla must set things right and retrieve the stolen goods over the course of one arduous night.<\/p>\n<p>When Akilla discovers that Sheppard\u2019s gang has ties to the Garrison Army, the same crime organization he fell into as a child, he has to confront his own traumatic origins and becomes compelled to help the boy survive \u2014 and possibly even make the escape that he never could. Set in parallel timelines in present-day Toronto and 1990s Brooklyn,\u00a0<em>Akilla\u2019s Escape<\/em>\u00a0illustrates how the oppressive cycle of violence manifests in different generations and just how difficult it is to break.<\/p>\n<p>Poet-musician-actor Saul Williams \u2014 who also collaborated with Massive Attack\u2019s 3D on the soundtrack \u2014 brings a subtle gravity to the role of the film\u2019s quietly tortured protagonist. Returning to the landscape of the urban drama that helped make his name with\u00a0<em>Nurse.Fighter.Boy<\/em>\u00a0(2008), award-winning writer-director Charles Officer circumvents the sensationalism of the crime genre in this intelligent, distinctive, and sensitively rendered neo-noir\u2013meets\u2013coming-of-age story. With Jamaican gang culture and the reach of its rampant international drug trade as a biting political backdrop,\u00a0<em>Akilla\u2019s Escape<\/em>\u00a0is a wide-eyed look at social violence and the toll it takes on Black lives.<a href=\"https:\/\/www.tiff.net\/events\/falling\"><br \/>\n<\/a><\/p>\n<p>&nbsp;<\/p>\n<h2><a href=\"https:\/\/www.tiff.net\/events\/falling\"><strong><img data-attachment-id=\"830\" data-permalink=\"https:\/\/wvandco.com\/fo2021\/celebrating-ontario-at-tiff20\/falling_02\/\" data-orig-file=\"https:\/\/i1.wp.com\/wvandco.com\/fo2021\/wp-content\/uploads\/2020\/09\/falling_02.jpg?fit=1200%2C600&amp;ssl=1\" data-orig-size=\"1200,600\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"falling_02\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i1.wp.com\/wvandco.com\/fo2021\/wp-content\/uploads\/2020\/09\/falling_02.jpg?fit=300%2C150&amp;ssl=1\" data-large-file=\"https:\/\/i1.wp.com\/wvandco.com\/fo2021\/wp-content\/uploads\/2020\/09\/falling_02.jpg?fit=1024%2C512&amp;ssl=1\" class=\"lazyload alignright size-medium wp-image-830\" src=\"https:\/\/i1.wp.com\/wvandco.com\/fo2021\/wp-content\/uploads\/2020\/09\/falling_02.jpg?resize=300%2C150\" data-orig-src=\"https:\/\/i1.wp.com\/wvandco.com\/fo2021\/wp-content\/uploads\/2020\/09\/falling_02.jpg?resize=300%2C150\" alt=\"\" width=\"300\" height=\"150\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27300%27%20height%3D%27150%27%20viewBox%3D%270%200%20300%20150%27%3E%3Crect%20width%3D%27300%27%20height%3D%27150%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/i1.wp.com\/wvandco.com\/fo2021\/wp-content\/uploads\/2020\/09\/falling_02.jpg?resize=300%2C150&amp;ssl=1 300w, https:\/\/i1.wp.com\/wvandco.com\/fo2021\/wp-content\/uploads\/2020\/09\/falling_02.jpg?resize=768%2C384&amp;ssl=1 768w, https:\/\/i1.wp.com\/wvandco.com\/fo2021\/wp-content\/uploads\/2020\/09\/falling_02.jpg?resize=1024%2C512&amp;ssl=1 1024w, https:\/\/i1.wp.com\/wvandco.com\/fo2021\/wp-content\/uploads\/2020\/09\/falling_02.jpg?fit=1200%2C600&amp;ssl=1 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(max-width: 300px) 100vw, 300px\" data-recalc-dims=\"1\" \/>Falling<\/strong><\/a><\/h2>\n<p>In his feature directorial debut, Viggo Mortensen stars as a gay man on a patience-testing mission to care for his ailing, solitary, and homophobic father (Lance Henriksen).<\/p>\n<p>Viggo Mortensen remains a marvel. A star who could simply have coasted on his big-screen luminosity, he has chosen instead complex character roles for David Cronenberg, lead performances in Spanish and French, and a vital body of work in poetry and painting. Now we learn he\u2019s a hell of a director, too.\u00a0<em>Falling<\/em>, which he wrote, directed, and co-stars in, is a crackling revelation of the wounds and responsibilities that come with family.<\/p>\n<p>John was born into the storm of his father\u2019s rage. His father, Willis, resents everything about his child\u2019s presence, and what he sees as the trap of family life. Early on, the film shifts between scenes of John as a boy, forced by Willis into regular tests of masculinity, and John as an adult (Mortensen), living happily as a gay man. But when Willis (Lance Henriksen), now in the grip of dementia, descends back into John\u2019s life, his usual vitriol and rancid homophobia flow unchecked. As a son still bound by duty, John must care for the man who hurts him the most.<\/p>\n<p><em>Falling<\/em>\u00a0lays out this family\u2019s emotional battleground with careful attention to nuances that complicate the conflict. Mortensen uses sophisticated visual and aural techniques to take us inside the experience of both son and father. Henriksen delivers a towering performance as a man roiling with rage he can barely understand, and Laura Linney is terrific as John\u2019s sister, Sarah. Mortensen, working with longtime Cronenberg collaborators in production designer Carol Spier and editor Ronald Sanders, weaves the whole tale together to devastating effect.<\/p>\n<p>&nbsp;<\/p>\n<h2><strong><a href=\"https:\/\/www.tiff.net\/events\/trickster\"><img data-attachment-id=\"831\" data-permalink=\"https:\/\/wvandco.com\/fo2021\/celebrating-ontario-at-tiff20\/trickster_01\/\" data-orig-file=\"https:\/\/i0.wp.com\/wvandco.com\/fo2021\/wp-content\/uploads\/2020\/09\/trickster_01.jpg?fit=1200%2C600&amp;ssl=1\" data-orig-size=\"1200,600\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;1996-98 AccuSoft Inc., All right&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"trickster_01\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/wvandco.com\/fo2021\/wp-content\/uploads\/2020\/09\/trickster_01.jpg?fit=300%2C150&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/wvandco.com\/fo2021\/wp-content\/uploads\/2020\/09\/trickster_01.jpg?fit=1024%2C512&amp;ssl=1\" class=\"lazyload alignright size-medium wp-image-831\" src=\"https:\/\/i0.wp.com\/wvandco.com\/fo2021\/wp-content\/uploads\/2020\/09\/trickster_01.jpg?resize=300%2C150\" data-orig-src=\"https:\/\/i0.wp.com\/wvandco.com\/fo2021\/wp-content\/uploads\/2020\/09\/trickster_01.jpg?resize=300%2C150\" alt=\"\" width=\"300\" height=\"150\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27300%27%20height%3D%27150%27%20viewBox%3D%270%200%20300%20150%27%3E%3Crect%20width%3D%27300%27%20height%3D%27150%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/i0.wp.com\/wvandco.com\/fo2021\/wp-content\/uploads\/2020\/09\/trickster_01.jpg?resize=300%2C150&amp;ssl=1 300w, https:\/\/i0.wp.com\/wvandco.com\/fo2021\/wp-content\/uploads\/2020\/09\/trickster_01.jpg?resize=768%2C384&amp;ssl=1 768w, https:\/\/i0.wp.com\/wvandco.com\/fo2021\/wp-content\/uploads\/2020\/09\/trickster_01.jpg?resize=1024%2C512&amp;ssl=1 1024w, https:\/\/i0.wp.com\/wvandco.com\/fo2021\/wp-content\/uploads\/2020\/09\/trickster_01.jpg?fit=1200%2C600&amp;ssl=1 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(max-width: 300px) 100vw, 300px\" data-recalc-dims=\"1\" \/>Trickster<\/a><\/strong><\/h2>\n<p>Based on Eden Robinson\u2019s bestselling novel, this series follows an Indigenous teen struggling to support his dysfunctional family as myth, magic, and monsters slowly infiltrate his life.<\/p>\n<p>In myth and folklore, the character of the trickster is by turns cunning, foolish, and a devilish rule breaker. The shape of the archetype varies from one culture or community to another. For the Norse, the trickster is Loki. In Polynesian mythology, it\u2019s M\u0101ui. For the Haisla, it\u2019s Wee\u2019git. Storytellers use the trickster to instill moral codes in younger generations; that includes award-winning Haisla and Heiltsuk novelist Eden Robinson (<em>Monkey Beach<\/em>), who celebrated and contemporized the figure in her 2017 novel\u00a0<em>Son of a Trickster<\/em>.<\/p>\n<p>Director and co-creator Michelle Latimer (<em>ALIAS<\/em>,\u00a0<em>Rise<\/em>) and co-creator Tony Elliott (<em>ARQ<\/em>, which premiered at TIFF 2016) have now followed Robinson\u2019s lead by bringing Wee\u2019git to the screen in the CBC series\u00a0<em>Trickster<\/em>, the highly anticipated adaptation of Robinson\u2019s novel.<\/p>\n<p>The series follows Jared (Joel Oulette), an Indigenous teen whose extracurricular activities include a part-time job selling drugs at a fast-food drive-through, protecting his wild-child mother (Crystle Lightning), and financially supporting his father (Craig Lauzon), who is struggling with addiction. Although Jared\u2019s routine seems unstable, it is very familiar to him. What is unfamiliar are the talking ravens, doppelg\u00e4ngers, and shapeshifters who start appearing at local bus stops, house parties, and Jared\u2019s makeshift ecstasy lab. Are these drug-induced hallucinations, or signs that a mythical figure has invaded Jared\u2019s reality?<\/p>\n<p>Latimer\u2019s young characters are multifaceted, her interplay between score and imagery sets an energetic pace, and, most importantly, her respect for the trickster in Indigenous storytelling is evident. If the archetype can truly impact younger generations, that respect is paramount \u2014 and Latimer\u2019s version exemplifies why it matters who gets to tell the story.<\/p>\n<p><em>Images and film descriptions courtesy of TIFF.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Toronto International Film Festival returns tomorrow (September 10th) and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1712,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"spay_email":""},"categories":[5],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v17.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Celebrating Ontario at #TIFF20! - FilmOntario<\/title>\n<meta name=\"description\" content=\"Read FilmOntario&#039;s preview of the 2020 Toronto International Film Festival (#TIFF20) and some of the great produced-in-Ontario films that are screening.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/wvandco.com\/fo2021\/celebrating-ontario-at-tiff20\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Celebrating Ontario at #TIFF20! 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